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The parallel lines of the railroad tracks and box converge at a vanishing point at the far right on the horizon.

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The other lines of the box that are parallel with the railroad ties share the same vanishing point on the far left. All of the lines of this scene converge at either the left or right vanishing point, or are vertical lines perpendicular to the ground plane. Multi-Point Perspective. A scene could have multiple vanishing points depending on the complexity of the subject. For example, three-point perspective is similar to two-point perspective; it has left and right vanishing points on the horizon.

Additionally, there is a third vanishing point either below or above the horizon. Besides having vanishing points on the left and right, this scene has an additional vanishing point below the subject. Every line of the subject is an orthogonal line and goes to one of the three vanishing points. With two-point perspective, these vertical lines remain straight up and down perpendicular to the ground plane. With three-point perspective, the vantage point either looks down or up at the subject.

Instead of vertical lines, it has a third set of orthogonal lines that converge at a third vanishing point.

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The vanishing points of this three-point perspective scene can be located by continuing the lines of the buildings and windows beyond the perimeter of the scene to three places of convergence. Atmospheric perspective, also called aerial perspective, conveys depth through variations of values lights and darks , colors and clarity of elements. Foreground elements in a composition have greater value contrasts, more intense colors and greater definition of details.

With distance, the values and colors become neutral, the details are less defined and the elements take on a dull blue-gray appearance. Atmospheric perspective occurs because particles in the air, such as water vapor and smog, affect what is seen.


Forms viewed from a distance are not as defined and have less contrast because there are more particles in the atmosphere between the forms and the viewer. Likewise, the wavelengths of color are affected by distance. Blues bounce around, whereas the longer color wavelengths are not affected by particles in the same way.

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The result is that the blues remain more visible than the other colors in the spectrum. The values are the lights and darks of a composition. Intrinsic to atmospheric perspective, values can influence the impression of depth in a scene. Highly contrasting values tend to appear forward of values with little contrast.

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  • The lighting of a scene affects shadows and values of forms. It can also affect how those forms are perceived. When drawing, depth can be expressed through both linear and atmospheric perspective as well as through the use of color. Combining all three will produce optimal results. Dulling with Distance: By putting atmospheric perspective to use, forms in the foreground will have greater clarity than background forms.

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    The hazy blue-gray appearance of the tree on the right, with its dull colors and values, suggests that it is the most distant of the three trees. This tutorial involves sketching squares with lines that recede to a single vanishing point. The depth in the finished drawing is implied through linear perspective and the use of values. If you get stuck, press R to restart the level. Play the classic game of strategy. You can challenge the computer, a friend, or join a match against another online player.

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    Did You Know? First Known Use of perspective Noun 1 , in the meaning defined at sense 4a Adjective , in the meaning defined at sense 1 Noun 2 14th century, in the meaning defined above. Learn More about perspective.